PART EIGHT

LITTLE GIRL WITH A BRAVE HEART

Written by Shankar Puri
On the drive home, after a conversation that eclipsed an hour, I find myself playing this part of the interview over and over again: “I wouldn’t wish it on anybody else, but I am not sorry that it happened to me because it has made me who I am."

Here’s the eighth part of the story

“I think the world needs strong men. Strong men establish families. When I look at my husband, he is a strong and gentle man, he is a wonderful man. He is kind and because he is strong, he makes me feel secure. I trust him. If I can trust him, I can be who I want to be. He helps me be who I want to be. I think that if there are strong men, strong fathers, there won’t be boys and girls who grow up with so much hatred towards others, wanting to hurt and abuse to prove something. So we need fathers. Strong male examples that stand for the right thing.”

But then, would this feed into everything that Feminists stand against?

“Before I got married, I was a very independent, a very strong woman. Nobody told me what to do, I told them what to do, I was very self-sufficient, didn’t need nobody. But I wasn’t happy. If I look at myself now, I am still independent, still self-sufficient but, I am secure. Because I have a strong man who loves and supports me.”

Leonie talks about balance. Being independent, strong minded and self-sufficient and secure from a love from a partner. It’s a message of unity, in her case, from the strength of her husband, who held her tight through the tears. It’s a story of finding forgiveness. I ask her then, since the abuse she experienced happened in South Africa, if she would ever leave.

“I love my country. I believe in this country. My husband is English and has a British passport and We can easily go to England, Scotland but both of us love Cape Town. We feel that here is where we are supposed to be right now.” Even though she tells me, she sells most of her art in America she has seen the power of social media and how “you don’t have to be anywhere specific anymore.” If American, then the state of the South African market must be difficult.?

“Tough. Very, very tough. The world economy is very wobbly and in South Africa it is not different. Here you have to have the gift of the gab and do something weird and whacky with your art. A good story sells. Conceptual art. It is all about telling the story and selling the story. The rest of the world is going back to skill. To be technically proficient. But South African art is full of colour.” But despite this, there is no desire to leave and start again in a market that could be more receptive to her work.

“I give classes 3 times a week and I have done since 2004 and I look at the work from my students, it’s totally out of the box. It’s always something new because we are so diverse. We have this wonderful diverse culture of so many nations thrown together, and we all influence each other. So that diversity brings something to this country and to the art that isn’t accessible anywhere else. I’m here, I love what I do, I love teaching. I love seeing what the students are doing and I love helping them, and I love seeing the bright future that each one has in them.”

On the drive home, after a conversation that eclipsed an hour, I find myself playing this part of the interview over and over again:

“I wouldn’t wish it on anybody else, but I am not sorry that it happened to me because it has made me who I am. I am not shy about what happened to me, I am happy to share it because I have survived. I am now living a full and happy life, happily married to a wonderful man. I am sharing it to say that it is possible for somebody who is in that pit of despair, and I know what that pit feels like, so I can say, ‘I was actually once where you are now, come, let me grab your hand’, even if it is through my paintings. That painting will go where it is meant to go, and it will talk to who it is meant to talk to.”

Leonie. Little girl with a brave heart.

Written by Shankar Puri

LITTLE GIRL WITH A BRAVE HEART