Wax, Wisdom, and the Wounds of Life: An Encaustic Exploration of Resilience

Close up of encaustic painting with copy; "Healing aroma of Beeswax." by artist Leonie.e.Brown

ARTISTIC JOURNEYS

Wax, Wisdom, and the Wounds of Life: An Encaustic Exploration of Resilience

"Encaustic art is more than just a medium for me—it’s a metaphor for life itself. Layered, messy, raw, and sometimes painful, each piece I create symbolizes resilience and healing. "
"As I sit in my studio, surrounded by the gentle glow of candles and the soft scent of wax, I am reminded of the transformative power of art. Encaustic art, with its fluid textures and vibrant colors, has become my sanctuary, my confidant, and my catalyst for healing."

What is Encaustic Art?

 
Encaustic art is like a warm embrace on a cold day. It’s a medium that wraps itself around my heart, whispering stories of hope and resilience. As I work with the wax and pigment, I feel like I’m unravelling the threads of my own soul.
 

The Layers of Meaning: Techniques for Creating Encaustic Art

For me, encaustic art is a journey of discovery. It’s about experimenting with different techniques, like:
Scraping: The gentle scrape of the knife, like the tender touch of a loved one’s hand.
Layering: Building up layers of wax and pigment, like the layers of our own stories, each one a testament to our strength and vulnerability.
Mark-making: The bold strokes of the brush, like the declaration of our unique voice.
 

In this space, I find solace. I find myself. And I hope, dear reader, that you will too.

The Wounds of Life

Life’s journey is not always easy. We all carry scars, some visible, some hidden. Mine are etched on my heart, a reminder of love, loss, and lessons learned. As I work with wax, I find solace in its fluidity and ability to adapt and transform.
 
Encaustic art has become my therapy, my way of processing emotions and navigating life’s challenges. With each brush stroke, I release worries, fears, and doubts. The wax absorbs my energy, leaving me with a sense of calm, clarity, and purpose.

The Language of the Soul: Symbolism in Encaustic Art

The colours I chose are deeply symbolic. Red channels passion, the will to keep going despite obstacles. Blue brings calm, reminding me of the peace I find through acceptance. Yellow embodies resilience, a reminder of strength in the face of adversity. These colours aren’t just pigments on a canvas—they’re pieces of my journey, symbols of my struggles and my healing.

As I polish each layer of wax, I think of how every experience—painful or joyful—leaves a mark on our lives. Each layer I create mirrors the layers we all carry within us. Together, these colours, textures, and stories form a cohesive, beautiful narrative of resilience and hope.

A Window to the Heart: Creative Expression through Encaustic Art

In my art, I often incorporate symbols and elements that hold personal significance. The spiral, a symbol of growth and transformation, reminds me that life is a journey, not a destination. The circle, representing unity and wholeness, encourages me to embrace my flaws and imperfections.

An Invitation to Join the Journey

It’s about finding strength in vulnerability, beauty in brokenness, and wisdom in the whispers of wax. 

Art is my connection to others who have walked through life’s shadows and found the courage to keep going. My encaustic paintings invite viewers to embrace their journeys of healing, resilience, and transformation. Each piece offers not only visual beauty but an emotional mirror—a connection that honors the layers of experience we all hold within us.

Thank you for joining me in this journey of transformation. Through my art, I hope to breathe life into our shared experiences, to celebrate resilience, and to remind us all that every stroke, every layer, and every color adds to the beauty of life.

The Process of Encaustic Art: A Path to Emotional Healing

Encaustic wax melting in hot plate

WHY I PAINT

Turning Pain into Beauty

"Have you ever wondered what resilience looks like if you could hold it in your hands? Imagine a world where trauma melts like wax, and healing blooms in vibrant, abstract landscapes. My journey as an encaustic artist embodies this process—turning pain into beauty, layer by layer. Through every piece, I explore the emotional transformation that comes with healing, just as my artwork transforms under heat and pressure."

The Process: A Metaphor for Personal Growth

Creating an encaustic piece is a meditative ritual that can span up to 60 hours. The process begins by sanding a wooden board to its raw state—a symbolic stripping away of old beliefs and traumas. Just as we dismantle emotional walls in our lives, this preparation is the foundation for the transformative art to come.

Layer by layer, I build up the surface with homemade encaustic gesso. Each application mirrors the emotional work of replacing old, destructive beliefs with new affirmations of self-worth and acceptance. Only after these layers can I start applying the beeswax, symbolizing the new emotional foundation on which we rebuild.

The Alchemy of Encaustic: Turning Pain into Beauty

My journey with encaustic art began as a way to express what words couldn’t capture. This ancient technique, which involves layering molten beeswax with pigments, mirrors the painstaking process of emotional recovery. Just as each layer of wax is carefully applied and fused at over 80°C, so too does healing require patience, persistence, and the courage to face the heat of transformation.

The Patience of Encaustic Art: A Metaphor for Healing

Encaustic art demands patience—much like the journey of healing from past traumas and life challenges. The physical process begins long before the first stroke of wax hits the canvas. It involves hours of preparation—melting beeswax, mixing in pigments, and applying layer after layer of wax, each carefully heated to over 80°C.

This technique mirrors life’s own slow and deliberate process of physical growth. Healing, like encaustic art, isn’t instantaneous. It takes time, and each layer—just like the emotional layers we peel back in life—needs careful attention. Mistakes happen, wax cracks, but it’s all part of the beauty. Through encaustic, I’ve learned that imperfections are not flaws but marks of progress. Just as our emotional scars make us who we are, each piece of encaustic art is a testament to the beauty of the imperfect.

"Just as the layers of wax and pigment slowly build up to reveal a final piece, our emotional recovery is a process of peeling back old wounds and letting new affirmations solidify."

The Patience of Encaustic Art: A Metaphor for Healing

The encaustic process I use in my abstract landscapes is deeply symbolic. It reflects the emotional work of dismantling old patterns and traumas, paralleling my healing journey. The process begins with sanding the wooden board down to its raw, untouched state—representing the breaking down of emotional walls and deeply held traumas.

Each encaustic painting involves layering homemade encaustic gesso, sanding between each application. This mirrors the process of learning new thought patterns, replacing old, destructive beliefs—such as rejection and unworthiness—with affirmations of self-worth, love, and acceptance.

Finally, three layers of beeswax are applied, each one heated until the surface becomes smooth and shiny. This part of the process, which can take up to 16 hours, symbolises the fire of life that tests our new beliefs and emotional foundations. The heat of the wax brings emotional “dross”—old habits and behaviors—to the surface, where they can be addressed and healed. Only when the dross is cleared can I begin laying the artistic foundations for a new, transformed version of myself.

Finally, the board is ready for the painting process to begin. Only once all the dross, the bad habits, the wrong patterns, the wrong reactions, and the past are recognised and changed can I start laying a new foundation for a new me.

Each encaustic painting, then, is more than just art—it’s a reflection of resilience, renewal, and transformation. For those who collect my work, these pieces represent more than just visual beauty; they offer an emotional connection and a mirror to their own journey of personal growth and healing.

"One of my earliest encaustic pieces was created during a particularly challenging time in my life. The process of sanding down the board felt like stripping away layers of emotional burden, a metaphor for the trauma I was shedding."

Creating a Surface for Encaustic Art:

  • Use Quality Gesso: A mix of acrylic paint and Plaster of Paris provides a strong, absorbent base.
  • Apply Multiple Coats: More coats ensure better adhesion for the wax.
  • Sand Between Coats: Smoothing the surface between applications helps the wax adhere better.
  • Prime with Wax: Use at least 3 coats of clear encaustic wax to create a durable foundation for your piece.

Finding Peace Through Art: Leonie Edna Brown’s Journey + Part 8

Artist painting abstract landscape in studio

PART EIGHT

LITTLE GIRL WITH A BRAVE HEART

Written by Shankar Puri
On the drive home, after a conversation that eclipsed an hour, I find myself playing this part of the interview over and over again: “I wouldn’t wish it on anybody else, but I am not sorry that it happened to me because it has made me who I am."

Here’s the eighth part of the story

“I think the world needs strong men. Strong men establish families. When I look at my husband, he is a strong and gentle man, he is a wonderful man. He is kind and because he is strong, he makes me feel secure. I trust him. If I can trust him, I can be who I want to be. He helps me be who I want to be. I think that if there are strong men, strong fathers, there won’t be boys and girls who grow up with so much hatred towards others, wanting to hurt and abuse to prove something. So we need fathers. Strong male examples that stand for the right thing.”

But then, would this feed into everything that Feminists stand against?

“Before I got married, I was a very independent, a very strong woman. Nobody told me what to do, I told them what to do, I was very self-sufficient, didn’t need nobody. But I wasn’t happy. If I look at myself now, I am still independent, still self-sufficient but, I am secure. Because I have a strong man who loves and supports me.”

Leonie talks about balance. Being independent, strong minded and self-sufficient and secure from a love from a partner. It’s a message of unity, in her case, from the strength of her husband, who held her tight through the tears. It’s a story of finding forgiveness. I ask her then, since the abuse she experienced happened in South Africa, if she would ever leave.

“I love my country. I believe in this country. My husband is English and has a British passport and We can easily go to England, Scotland but both of us love Cape Town. We feel that here is where we are supposed to be right now.” Even though she tells me, she sells most of her art in America she has seen the power of social media and how “you don’t have to be anywhere specific anymore.” If American, then the state of the South African market must be difficult.?

“Tough. Very, very tough. The world economy is very wobbly and in South Africa it is not different. Here you have to have the gift of the gab and do something weird and whacky with your art. A good story sells. Conceptual art. It is all about telling the story and selling the story. The rest of the world is going back to skill. To be technically proficient. But South African art is full of colour.” But despite this, there is no desire to leave and start again in a market that could be more receptive to her work.

“I give classes 3 times a week and I have done since 2004 and I look at the work from my students, it’s totally out of the box. It’s always something new because we are so diverse. We have this wonderful diverse culture of so many nations thrown together, and we all influence each other. So that diversity brings something to this country and to the art that isn’t accessible anywhere else. I’m here, I love what I do, I love teaching. I love seeing what the students are doing and I love helping them, and I love seeing the bright future that each one has in them.”

On the drive home, after a conversation that eclipsed an hour, I find myself playing this part of the interview over and over again:

“I wouldn’t wish it on anybody else, but I am not sorry that it happened to me because it has made me who I am. I am not shy about what happened to me, I am happy to share it because I have survived. I am now living a full and happy life, happily married to a wonderful man. I am sharing it to say that it is possible for somebody who is in that pit of despair, and I know what that pit feels like, so I can say, ‘I was actually once where you are now, come, let me grab your hand’, even if it is through my paintings. That painting will go where it is meant to go, and it will talk to who it is meant to talk to.”

Leonie. Little girl with a brave heart.

Written by Shankar Puri

LITTLE GIRL WITH A BRAVE HEART

Finding Peace Through Art: Leonie Edna Brown’s Journey + Part 7

Artist painting abstract landscape in studio

PART SEVEN

LITTLE GIRL WITH A BRAVE HEART

Written by Shankar Puri
"It’s the crippling fear that keeps their secret locked away. To admit the abuse is to expose yourself to the world, a world that just might not believe you."

Here’s the seventh part of the story

“I love the works of Van Gogh. He had a desire for more. He never got to it though, he was very suicidal but there is such a desire for life in his work. Michelangelo had some unfinished figures in Florence, I remember seeing them and they made me cry, these figures trapped in rock that he was still chiselling away before he died.” We talk for a moment about inspiration and how, in the art world, it can be misconstrued as plagiarism when really, it is about being shaped by your own interpretation of other artists’ work.

But all that Leonie spoke about prior to our engagement over art and inspiration, still clings to my consciousness. So I bravely ask her thoughts on the recent #metoo movement. After all, who better to wade through a topic such as this than with someone who almost drowned in it.

“The person that is abused becomes shameful because they think that it is their fault. For many years, and this is something that I still have to work through, I thought that there must be something inherently wrong with me. That there is something in me that attracts this Sometimes people don’t speak out because they are ashamed of being rejected because they are already rejecting themselves. Self-hatred. So, how do I expose myself if people are going to hate me more?”

It’s a reoccurring pattern of women tussling with the idea to come forward and Leonie helps me understand why. It’s the crippling fear that keeps their secret locked away. To admit the abuse is to expose yourself to the world, a world that just might not believe you. I wonder then, how Leonie even has the strength to surround herself with men after everything.

“Not all men are evil. Men can be wonderful. If you look at a little girl, her girlishness gets established by her dad, at a young age, five to seven, treating her like a little Princess. That’s what makes her into a girl, that’s what makes her precious. Currently, there is an attack on men and the manliness of men, and I don’t think women should look at men as all evil. We all have a darkness in us from time to time. Men who abuse women were often abused themselves, so you hurt others because you were already hurt so badly”.

“I think the world needs strong men. Strong men establish families. When I look at my husband, he is a strong and gentle man, he is a wonderful man. He is kind and because he is strong, he makes me feel secure. I trust him. If I can trust him, I can be who I want to be. He helps me be who I want to be. I think that if there are strong men, strong fathers, there won’t be boys and girls who grow up with so much hatred towards others, wanting to hurt and abuse to prove something. So we need fathers. Strong male examples that stand for the right thing.”

LITTLE GIRL WITH A BRAVE HEART